Mr Eaves Font
Mr Eaves Font ===> https://urloso.com/2sYC9y
Emigre Fonts is a digital type foundry and publisher of type specimens and artist books based in Berkeley, California. From 1984 until 2005 Emigre published the legendary Emigre magazine, a quarterly publication devoted to visual communication. The Emigre font library features more than 600 original typefaces, including Mrs Eaves, Brothers, Matrix and Filosofia.
Licko also designed a set of Petite Caps for Mrs Eaves, which were lower in height than regular Small Caps to accommodate the small x-height. This was the first typeface family to have a Petite Caps font and it became a feature in the OpenType specifications.
Mr Eaves was released in both regular and XL designs, matching the original Mrs Eaves and Mrs Eaves XL. Both heights were released in two widths: regular and narrow, and in two styles: Sans, a humanist design closest to the original serif model, and a more simplified Modern design resembling geometric sans-serif fonts like Futura.
Mrs Eaves is particularly well known for its range of ligatures, ranging from the common to the fanciful and including intertwined and swash designs. Ligatures in all variants of Mrs Eaves include the standard fi, ffi, and fl ligatures, as well as the classic eighteenth-century ct and st ligatures and others with no historical precedent. These have been released in a variety of formats: originally ligatures were released in separate expert set fonts; more recently they are issued as stylistic alternates using the OpenType format. A Just Ligatures variant is available in roman and italic. The OpenType format fonts also contain all 213 ligatures.
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The original designer of the Mrs Eaves small-caps font was John Baskerville. In 1757, he created this font in Birmingham, England, and named it after his wife, Sarah Eaves. Zuzana Licko redesigned the font with the original face in 1996. The contrast between the thin and thick strokes of the free-download Mrs Eaves Font is impressive. The font is also integrated with Microsoft Word software, and it is also included in the Adobe font libraries.
Fonts are an integral part of our lives today. They are everywhere, from the logos of companies to the text on websites and books. Beautifully designed Mrs Eaves Font is quite appealing for the text format. After redesigning the font has got a unique outlook for the writing concepts.
@gappiah I tried to do a fancy screenshot like yours but it got too complex. This is a page with different variants of the font, showing what the bold looks like. Clearly different from what your computer is showing: -Eaves-Sans-and-Modern
Far away, and long ere we catch our first view of the city itself, the three spires of its Cathedral, rising high above its din and turmoil, preach to us of the Most Holy and Undivided Trinity. As we approach, the Transepts, striking out cross-wise, tell of the Atonement: the Communion of Saints is set forth by the chapels clustering round Choir and Nave: the mystical weathercock bids us to watch and pray and endure hardness: the hideous forms that seem hurrying from the eaves speak the misery of those who are cast out of the church: spire, pinnacle, and finial, the upward curl of the sculptured foliage, the upward spring of the flying buttress, the sharp rise of the window arch, the high-thrown pitch of the roof, all these, overpowering the horizontal tendency of string course and parapet, teach us, that vanquishing earthly desires, we also should ascend in heart and mind. Lessons of holy wisdom are written in the delicate tracery of the windows: the unity of many members is shadowed forth by the multiplex arcade: the duty of letting our light shine before men, by the pierced and flowered parapet that crowns the whole.
Ms. Lanahan responded that the format is still being developed and the final selection of the font has not been made. She said using the typewriter font had been considered, but it was decided that the prayer should be a contemporary interpretation instead of a replication of the historic event. Reiterating the goal that visitors should be able to read the text comfortably without having to turn their heads, she said that a curved or radial layout was found to be less legible that an orthogonal arrangement of the prayer, which includes almost 600 words divided into fourteen stanzas. She said that a radial configuration for text is typically used for a few words at a large scale, as with a title or a poster. When the lengthy prayer text is laid out radially, each line would have a different radius, and the text would not line up vertically, resulting in the letters in successive lines having different vertical alignments; the eye has difficulty following the words in the resulting layout.
Close to the wall of the church, beside the door, there was an ancient baptismal font of stone. In fact, it was a pile of roughly hewn stone steps, five or six feet high, with a block of stone at the summit, in which was a hollow about as big as a wash-bowl. It was full of rainwater.
The Park, just now, is very agreeable to look at, shadowy with trees and shrubs, and with glimpses of green leaves and flower-gardens through the branches and twigs that line the iron fences. After a shower the hawthorn blossoms are delightfully fragrant. Golden tassels of the laburnum are abundant.
I may have mentioned elsewhere the traditional prophecy, that, when the ivy should reach the top of Bebbington spire, the tower was doomed to fall. It lies still, therefore, a chance of standing for centuries. Mr. Turner tells me that the font now used is inside of the church, but the one outside is of unknown antiquity, and that it was customary, in papistical time, to have the font without the church.
In front of our hotel, on the lawn between us and the lake, there are two trees, which we have hitherto taken to be yews; but on examining them more closely, I find that they are pine-trees, and quite dead and dry, although they have the aspect of dark rich life. But this is caused by the verdure of two great ivy-vines, which have twisted round them like gigantic snakes, and, clambering up and throttling the life out of them, have put out branches, and made crowns of thick green leaves, so that, at a little distance, it is quite impossible not to take them for genuine trees. The trunks of the ivy-vines must be more than a foot in circumference, and one feels they have stolen the life that belonged to the pines. The dead branches of one of the pines stick out horizontally through the ivy-boughs. The other shows nothing but the ivy, and in shape a good deal resembles a poplar. When the pine trunks shall have quite crumbled away, the ivy-stems will doubtless have gained sufficient strength to sustain themselves independently.
Kensington Gardens form an eminently beautiful piece of artificial woodland and park scenery. The old palace of Kensington, now inhabited by the Duchess of Inverness, stands at one extremity; an edifice of no great mark, built of brick, covering much ground, and low in proportion to its extent. In front of it, at a considerable distance, there is a sheet of water; and in all directions there are vistas of wide paths among noble trees, standing in groves, or scattered in clumps; everything being laid out with free and generous spaces, so that you can see long streams of sunshine among the trees, and there is a pervading influence of quiet and remoteness. Tree does not interfere with tree; the art of man is seen conspiring with Nature, as if they had consulted together how to make a beautiful scene, and had taken ages of quiet thought and tender care to accomplish it. We strolled slowly along these paths, and sometimes deviated from them, to walk beneath the trees, many of the leaves of which lay beneath our feet, yellow and brown, and with a pleasant smell of vegetable decay. These were the leaves of chestnut-trees; the other trees (unless elms) have yet, hardly begun to shed their foliage, although you can discern a sober change of line in the woodland masses; and the trees individualize themselves by assuming each its own tint, though in a very modest way. If they could have undergone the change of an American autumn, it would have been like putting on a regal robe. Autumn often puts one on in America, but it is apt to be very ragged.
The three books were really of very great interest. One was an octavo volume of manuscript in John Evelyn's own hand, the beginning of his published diary, written as distinctly as print, in a small, clear character. It can be read just as easily as any printed book. Another was a Church of England prayer-book, which King Charles used on the scaffold, and which was stained with his sacred blood, and underneath are two or three lines in John Evelyn's hand, certifying this to be the very book. It is an octavo, or small folio, and seems to have been very little used, scarcely opened, except in one spot; its leaves elsewhere retaining their original freshness and elasticity. It opens most readily at the commencement of the common service; and there, on the left-hand page, is a discoloration, of a yellowish or brownish hue, about two thirds of an inch large, which, two hundred years ago and a little more, was doubtless red. For on that page had fallen a drop of King Charles's blood. 2b1af7f3a8